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This
class isn't listed in any school curriculum. FIONA SWAN is a
true believer in
expecting only the very best from her Handmaids. And the only
way to teach them, is to
start from the "bottom" up, so to speak. ANDREA MORGAN
is the student Maid today. Her
inability's and lack of know-how frustrates Fiona to the point
where she must be
extremely forceful with Andrea in almost every task. Our presentation
begins as a black
& white movie, reminiscent of the early 1950s when women
knew how to behave like women.
We see Fiona relaxing in her favorite lounge chair, dressed
in a white, steel boned
corset, black bra, black full bottom panties, vintage black
back seamed stockings and
classic black strapped platform pumps. She fondles her long
cigarette holder in her
black, elbow length gloves which button at the wrist. Maid Andrea
is dressed in a
skimpy black and white maid's uniform, white lace panties, black
stockings and
black strappy open toe high heels.
We
watch as the black & white film slowly transforms into color,
while Fiona crosses
and recrosses her long legs, sensually smoking and enjoying
the feeling of her silk
stockings. The entire performance is done with no dialogue,
only accompanied with
music. Andrea first lights a few candles, then lights Fiona's
cigarette. Satisfied
with her technique, Fiona wishes her shoes to be cleaned and
shined. Andrea complies
and meticulously cleans every inch of Fiona's shoes, while Fiona
relaxes and has
several more cigarettes. Fiona rises, gesturing to Andrea to
adjust the many straps
on her unique corset, located along Fiona's rib cage. The corset
has very interesting
garters rather than a single strand of elastic with the steel
garters attached, each
garter has two straps which connect at the base of the corset
and run into a V
shape where the garter itself is attached.
Fiona
is clearly agitated with Andrea's fumbling fingers and her lack
of knowledge
regarding the tightening techniques. When Fiona moves to the
mirror to peruse her
image, she is furious with Andrea's poor job of proper corset
binding. She forces
Andrea onto her stomach across an overstuffed ottoman. Using
a very stiff black
leather riding crop, she unleashes a barrage of stinging blows
to Andrea's
lace-covered fanny. Immediately, Andrea's bottom becomes bright
pink as we are
treated to a slow motion low angle view of the way Andrea's
flesh reacts to the
riding crop. Fiona then uses her gloved hand to punish Andrea
further, again, slow
motion shows the impact of Fiona's wrath. Andrea winches in
pain
or is it pleasure?
Like
a mistress reproaching a bad puppy, Fiona waves Andrea away,
demanding her to
fetch Fiona's party dress. Andrea returns with a beautiful burgundy
color satin
affair, highlighted by a full, above the knee skirt. We watch
as Andrea helps Fiona
into the dress - it's a perfect fit. Andrea adds sparkling French
cuff links and a
wide belt with a matching belt buckle also studded with sparkling
rhinestones. From
a low angle, we see Fiona do several twirls, the full skirt
lifting sensually with
the motion, revealing Fiona's stocking tops, garters, and her
full bottom black
panties. Fiona is very pleased with her perfect look, and blithely
takes Andrea in
her arms for a little dance. Close up angles on the women's
lovely high heeled feet
as they slowly twirl. The reverie is short-lived.
Fiona notices a run in the heel of Andrea's
stocking. She's shocked at Andrea's lack
of pride in her personal appearance. Furious, Fiona shoves Andrea
face-first into the
overstuffed chair, manipulating her so her torso is over the
back of the chair, her
lovely bottom exposed for an additional scolding by Fiona. Again,
slow motion allows us
to see the lovely results of a swift hand against a supple fanny,
as Fiona reprimands
Andrea. Obviously, Andrea is a slow learner and needs further
discipline. Fiona places
a white leather collar to Andrea's neck, as well as white leather
cuffs to each wrist.
A lead chain is attached to the collar. Andrea is forced onto
her hands and knees and
is led out of the room by Fiona. Now in Fiona's cellar, Andrea
remains on her hands
and knees, as Fiona sits in a taller than normal chair. Fiona
points to a pair of white
patent leather, lace up, knee high boots, demanding she put
them on Fiona.
Andrea
first removes Fiona's lovely black heels, sensually massaging
her stocking clad
feet, desperately trying to regain Fiona's approval, who merely
looks down at Andrea
and blows smoke in her face. Fiona signals to Andrea she wishes
to have her boots put
on. Andrea slides one of Fiona's luscious feet into the boot,
and begins the long
process of lacing. As she proceeds, we see Fiona's gorgeous
thighs and hints of her
panties. From Fiona's point of view, we see Andrea sitting on
her haunches, her lovely
breasts blossoming from the top of her maid's outfit. Finished
with the lacing, Andrea
assists Fiona as she stands. The boots are a lovely addition
to the outfit, but Fiona
knows her hopes for an evening out have been ruined by Andrea's
inadequate behavior.
She motions for Andrea to help her out of her dress. Andrea
complies. Then Fiona takes
off Andrea's outfit, revealing her white lace bra, white lace
garter belt, and luscious
lace panties, then leads her to a massive concrete buttress.
Fiona
clips Andrea's wrists together, then attaches them to an overhead
hook. She then
applies white leather cuffs to Andrea's ankles, adding a very
wide spreader bar between
them. Andrea has a hard time remaining vertical. Fiona gathers
a collection of items to
extend Andrea's "learning curve". First, she's whipped
lightly from shoulders, breasts
and toes with a long, flexible tool with wispy tendrils. The
sensation feels erotic and
imposing to Andrea, as Fiona knows precisely how to apply the
proper amount force.
Next, Fiona applies her firm hand to Andrea's bottom, reminding
her that being a proper
Maid requires stern instruction. Fiona tickles Andrea with a
metal, feather-like toy,
again creating an erotic yet sharp sting to the flesh. Andrea
is abruptly spun around,
exposing her lovely pink bottom, and Fiona has another go at
deepening the color of her
fanny. Next, we see Fiona, seated in her overstuffed chair,
in her white boots, corset,
bra, panties and stockings. She seems relaxed again, crossing
and uncrossing her legs.
This time, with only a slight gesture, Maid Andrea appears with
the cigarette holder,
cigarette, and matches, attentive to Fiona's desires, as the
movie once again regresses
to old time black & white film.
This
is an exquisitely choreographed visual treat, sure to delight
those who adore
classic cheesecake female dominance and bondage.
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